Translating research for a public health audience
The Bloomberg School magazine is the public face of one of the world's leading schools of public health. Each issue needs to do two things at once: honor the rigor of the research and the researchers behind it, and earn the attention of readers who are not specialists.
That means features that read like magazine journalism — voice, scene, narrative arc — built on a foundation of careful interviewing, fact-checking, and source review.
Across four issues, I've worked as a contributing writer on features, profiles, and short-form vignettes.
Recurring beats: aging research, AI in public health, climate and health, and community-based research in Baltimore.
How public health is harnessing machine learning to turn mountains of data into insight.
Public health research examines aging at every level — individual, interpersonal, societal.
From glacial preservation to climate-driven migration — researchers building scalable answers.
A multi-vignette package on aging research at the school, including profiles of faculty working on LGBTQ+ aging and subjective aging, vaccines and older adults, gender-based violence and older women, and neurodegeneration.
Drafts in the issue's package on faculty and alumni shaping public discourse around health — the people translating research into public understanding.
A package built around faculty doing community-rooted work in Baltimore, including Craig Pollack on housing and health, Javier Cepeda, Brad Silberzahn, Amanda Smith, and partner organizations CFUF and LEAD.
Academic research is a hard genre to translate well, but the Bloomberg School magazine is a useful counter-example: the bar is to write stories that a researcher would recognize as accurate and a stranger would actually finish. Holding both standards at once is a craft I bring to client work, whether the source material is a peer-reviewed paper or an executive's half-formed idea.
If you have research, expertise, or a body of work that deserves to be read by people outside the room it was made in, let's talk.
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